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Friday, 19 April 2019

ANGREZI MEDIUM: IRRFAN KHAN SHARES A HEARTY LAUGHTER WITH DIRECTOR HOMI ADAJANIA

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Bollywood’s beloved Irrfan Khan is back to where he belongs! Following a year’s break, tending to his health, the actor has finally got back to the sets and is currently busy with his upcoming Angrezi Medium. The film is the sequel to the 2017 hit, Hindi Medium and ever since its inception, fans have been dying to witness Irrfan on the silver screen. On Thursday, a new photo from the sets emerged which shows the actor sharing a light moment with the film’s director - Homi Adajania.

The picture has Irrfan, dressed as his character, sitting on a scooter and having a hearty laugh as Homi says something. Alongside the actor, the sequel will also see a familiar face, Kareena Kapoor Khan. Angrezi Medium will mark the duo’s first ever collaboration. Earlier, Irrfan shared his first look from the sets of the film and introduced us to his character, Champak.
Angrezi Medium: Irrfan Khan shares a hearty laughter with director Homi Adajania on the sets Angrezi Medium: Irrfan Khan shares a burst of hearty laughter with director Homi Adajania on the sets

The picture unveiling his first look sees Irrfan, clad in a yellow kurta, standing in front of a sweet shop named ‘Ghasiteram Mishthan Bhandar’.


The film, produced by Dinesh Vijan, also stars Radhika Madan in a pivotal role. Previously, Dinesh, in an earlier interview, stated that when Irrfan gave his first shot, everyone around got emotional. “Having him (Irrfan) back on the set was a surreal feeling, he’s undoubtedly one of the best actors in the country. When he gave the first shot, everyone around got emotional. For me, it was one of those life-defining moments working with him again after Hindi Medium. Having him and Homi (director Homi Adajania) together was something all three of us have always wanted.”

The team, which is currently shooting in Rajasthan, will reportedly move to London for their second schedule. Meanwhile, the film’s release date is yet to be out.

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